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| Art Cart activity for Gabriel Dawe's site-specific installation Plexus No. 34. Amon Carter Museum, Fort Worth, Texas, |
I have been a little on the quiet side these last few weeks. Reading everyone's posts really helps not just in sharing our unique experiences, but also know that we are going through challenges and triumphs together.
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| Alexander Calder, Untitled, ca. 1942 Painted aluminum sheet, steel sheet, steel wire Amon Carter Museum, Fort Worth, Texas |
With that said, I feel great that the kids mentioned that they loved listening to my story. It was a good feeling. I am loving this work, not only teaching kids, but also the exploration and connection with people that happens at the art cart. The investigation of how to get through important facts about the work that the children can relate to and understand is another favorite part of my work.
I have one more Story Time this coming Wednesday, and I'll be reading and teaching in front of the Louise Nevelson's Lunar Landscape sculpture, which is one of my favorite pieces in the museum. I have already ran the series of questions and talking points to Emily, and with a little practice I am set to go.
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| Visitors at the Amon Carter Museum explore the activity as a group. |
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| Art Cart set up. |
This activity has helped me set up a format for my final project in the Interpretation program. I am developing an Art Cart activity based on a piece that I chose. I am in the middle of it now, so when I get it approved and rolling I will share the final piece.
I also had a meeting with the director of the Education Program, Amanda Blake. She is wonderful and we had a good and honest conversation about what comes after the internship. It put a lot of things in perspective and I have a lot of work to do to be able to work in a museum full time at some point. I love museum education but I need more experience, attend conferences and do more volunteer work to get my face out there so museums know I am serious. My background in Studio Art is a little bit of a setback for an educator role in museums. This conversation made me a little nervous about the future, but I will be seeking another internship in the Spring. I'm not sure that with my MFA thesis coming up in February I will able to do anything outside of my studio for this Fall semester. With this said, I am so thankful about this summer, I am learning so much, and I am working my butt-off to learn the most that I can and to have a clear vision to plan through graduation and after.
Karla




Hi Karla!
ReplyDeleteIt was great to see you too! It is funny that we are in the same office but yet, we never see each other!
I totally relate with you about reading out loud. Especially to tiny humans. When I was a preschool teacher, that is what I struggled with the most. It is all about interaction, not just with the book, but with the reader and the audience. I have found that sometimes pausing when reading and having them do a small activity, helps a lot! By small activity I mean, if it is raining in the book, maybe you can have them make rain sounds with their hands! Just a small interaction like that, helps a ton! Also, I tend to over pronounce words and I try to read as if the book was a song. That usually helps with the entertainment and the flow of the book!
I am researching Gabriel Dawe right now, I LOVE HIM. I want to talk to you more about this!
What a great opportunity to sit down with Amanda. Isn't she great? I know it is always stressful to think about the future. But, I know what a hard worker you are, so I don't see anything holding you back from your future in a museum!
Give Amanda a big hug for me! I love her too! We have quite a fan club for her between you, me and Asami :)
ReplyDeleteI actually don’t think your studio degree is a hindrance in any way towards a career in museum education. In fact, I think it’s an asset. For example, look what you did with the Dawes activity for your cart. You made an activity that has people staying for an hour! That is remarkable. I think your background in studio helps you design those sorts of things in a different way than I could or an art historian could. Just look at The Modern, for example, or the Rachofsky Warehouse. Most of those educators are studio artists first and have MFAs. I seem to see a correlation between the more modern and contemporary museums hiring studio artists to become museum educators, which, to me, makes a whole lot of sense!
We can definitely talk about conferences and publications and other things that will help you get a leg up in entering the field. But, you already have a great start in doing what you’re doing this summer!!
Karla....this is awesome! I feel similar to you but mine is the opposite as I have a background in education and do not have much experience in doing art and I'm pretty sure an MFA might kill me and those having to look at art I create:) I think having the conversation with Amanda ( I wish I knew her now:)) was the most beneficial thing you could've done. I love when people get to the real world info that I need. So now you know things you can do to get where you want! And you are awesome!
ReplyDeleteThank you for the comments!!! You guys are amazing and I find inspiration and courage from your words as well as your experiences. Dr. Evans, I will definitely be asking you about conferences and publication! thank you and see you guys soon! I can't believe the summer is almost over.
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